I've been taking pictures again. I even went to see the Deutsch Borse prize at the Photographers' Gallery. We wandered round for ages and then I said to Scotia "I know who'd I'd like to win" to which she replied that they'd announced the winner already and it wasn't my guy. "How do you know?" I said. "Well, the big banner they have over the doorway is a bit of a giveaway," she said.
Somewhere to put the things that I can't put anywhere else.
31.3.08
21.3.08
The Last Shadow Puppets: The Age of Understatement
Track Listing for the album due out in April:
1. "The Age of the Understatement"
2. "Standing Next to Me"
3. "Calm Like You"
4. "Separate and Ever Deadly"
5. "The Chamber"
6. "Only the Truth"
7. "My Mistakes Were Made for You"
8. "Black Plant"
9. "I Don't Like You Any More"
10. "In My Room"
11. "Meeting Place"
12. "The Time Has Come Again"
19.3.08
What do you do in the Studio?
6.2.08
Allotment: The Fox
There's a very tame fox at our allotment.
The first year we were there one of our pumpkins disappeared over night. The very nice and hard-working chairwoman for the allotments suggested it might have been a fox. I said "Don't be silly, foxes don't do anything for Halloween."
The first year we were there one of our pumpkins disappeared over night. The very nice and hard-working chairwoman for the allotments suggested it might have been a fox. I said "Don't be silly, foxes don't do anything for Halloween."
4.2.08
Peter Doig at Tate Britain

Went the the tail end of the press view for Peter Doig's show at Tate Britain. By then all the serious journalists had left (probably off for lunch at Black's) leaving just me and Sarah Kent and the very nice guy who told me I couldn't take pictures because I wasn't a proper photographer. I was, like, how did he know I'm not proper?
We bumped into Peter (see what I did there?) on his way in as we were leaving. He was his usual charming self and despite being in an obvious hurry stopped to chat. He'd helped work out the room layouts as he had very specific ideas about the way that one picture should be visible in the corner of your eye or the way that the diagonal sight lines are very long. He was also really pleased to be at Tate Britain rather than Tate Modern. Having been there the day before with his dad he said that it was for people going for a nice walk rather than going to look at the art. I think the default position for many visitors to London is to go to Modern simply because so much fuss has been made about the building whereas (within their own remits) Tate Britain has a much better collection.
30.1.08
I don't know why I'm promoting these bad people

Peter Doig at the Saatchi Gallery
Peter Doig on Wikipedia
Peter Doig at Victoria Miro
Studio Film Club: what's on
27.1.08
Me by my niece
This is a more up to date view of me (see two entries previous for me in my prime) by my niece just over two years ago. I prefer Paul's (although my niece is obviously incredibly talented).
Me by Paul Clarke
From around 1990 or possibly earlier. Thinking about it I was still living in Chantry Point so 1989 or even earlier. He did it from memory and got most things right: I smoked, I had (and still have) round glasses, a penchant for black, not shaving and hair cropped at the sides. If only I looked this good now...
7.1.08
Car near Brick Lane
Apparently it's a Honda Z600 or so my friend Steve says. It was a very nice day, clear and dry with the sun coming in low from the south the way it does in the winter in England. We went to the Beigel shop and had herring (for me) and a cream cheese and smoked salmon for the wife. We walked down Cheshire Street afterwards carrying our stewed cup of tea looking at the pirated sportsgear and being accosted by gangs of chinese selling pirated porno. It's Brick Lane, everything's knocked off.
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